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![]() This species is endemic to Nigeria and Cameroon, in the lowland montane forests and rainforests. Habitats – Where do Gorillas in the Wild stay?Ĭross river gorilla (Gorilla gorilla diehli) For instance, the Eastern Lowland gorillas live in lower altitude areas and usually have only one silverback (which has the right to mate with all females in the group). However, they have differences not only in appearance but also in their behavior. Like the mountain gorillas, they belong to the eastern gorilla species. An adult females weigh around 100 kilos (220 pounds), while adult men reach 210 kilos on average (460 pounds). The Eastern Lowland gorilla is characterized by a stocky body, short muzzle and larger hands. Also called the Grauer’s gorilla, this subspecies is the largest. With an estimated population of 6’000 Eastern Lowland gorillas in the wild, the species is critically endangered. Western Lowland gorillas also tend to have wider skulls, smaller ears and more pronounced brow ridges than their Cross River gorilla cousins. They usually weigh between 68 to 200 kilos (150 to 440 pounds) and stand 1.2 to 1.8 meters tall (4 to 6 feet). They can be differentiated from other species by their slightly smaller size, their auburn chests and brown-grey coasts. The Western Lowland gorillas are the most widespread species of gorillas in the wild, with a population estimated around 350’000 individuals. Even if they know how to climb trees, they mostly stay on the ground with their family group – that can reach up to 30 members They are also usually a bit larger, with shorter arms. Because they live in colder environment, the mountain gorillas have longer hair. Since adult males usually weigh over 180 kilos (400 pounds) and measure 1.7 meters (5.5 feet) while adult females weigh over 90 kilos (200 pounds) for 1.5 meters (4.9 feet), mountain gorillas are the largest of the great apes and the biggest/most powerful living primates. There are about 1’200 mountain gorillas in the wild and this specie cant survive in captive making them a “endangered” species (they were listed as “critically endangered” until 2018). The Cross river gorillas have brownish gray to black coats, auburn chests and a reddish crest on their head (like the Western Lowland gorillas). Like all gorilla types, their faces are flat and expressive, with flat nose and dark eyes. They also have shorter and lighter-colored hair, a slenderer figure and longer arms. Like the Western Lowland gorillas, this species is smaller than the Eastern Lowland gorillas. The Cross river gorillas measure around 1.4 to 1.7 meters (4.7 to 5.5 feet) and weigh between 100 to 200 kilograms (220 to 440 pounds). The Cross river gorilla looks like the Western Lowland gorilla, with slight differences when it comes to the skull and the teeth. Only fewer than 300 Cross river gorillas remain on the globe, making them the rarest but also the most endangered gorillas (listed as “critically endangered”). ![]() The gorilla family includes four different types: Here are some facts to get to know the gorilla, the Gorilla diehli and the Gorilla beringei – the scientific names of the different gorilla types. As a result, conservation efforts and the design of protected areas have become more and more significant. Indeed, the number of gorillas has unfortunately been decreasing for decades. Great apes’ lifespan in the wild is around 35 to 50 years.īecause gorillas have a low reproduction rate, their species is challenged by population declined among other threats. The family is led by an adult male called silverback. They can even feel laughter and sadness! Gorillas in the wild live in family groups of usually 5 to 10 gorillas but it can also reach (30-40 members). Just like us, they are organized through well-developed social structures and experience behavior and emotions that are close to ours. The gorillas in the wild share more than 98% with the human genes, making the gentle giants our closest cousins after chimpanzees and bonobos. Their homes are located in central and East Africa. Because they are the largest living primates but also very sociable, gorillas in the wild are nicknamed “gentle giants”. By contrast, a caffè crema will be approximately 180 ml (6 fl oz). Hay ocho variedades para la Dolce Gusto: classic, cortado, cortado descafeinado, café con leche, café con leche descafeinado, ristretto Napoli, forte y extraforte. Assuming a 30g dose of ground coffee, a ristretto solo is thus 30 ml (1 fl oz) (the foamy crema slightly increases this volume), normale is 60 ml (2 fl oz), and lungo is 90–120 ml (3–4 fl oz). Nevertheless, a rough guide is a brewing ratio grounds-to-liquid of 1:1 for ristretto, 1:2 for normale, and 1:3–1:4 for lungo. Ristretto, normale, and lungo are relative terms without exact measurements. Moreover, since espresso is brewed under pressure, a lungo does not have the same taste or composition as coffee produced by other methods, even when made with the same ratio of water and ground coffee. Delivered tomorrow More than 10 pieces in our central warehouse. Therefore, a ristretto is not simply twice as "strong" as a regular shot, nor is a lungo simply half the strength. Café Royal Lungo Forte NESPRESSO Professional, 50 x Port. La gamma Classics ara inclou un cafè amb un assertiu toc de notes de fruits vermells que combina perfectament amb la seva mescla torrada. ![]() For this reason, a long or short shot will not contain the same ratio of components that a normal shot contains. Caffesso Lungo Forte Nespresso Compatible Coffee Capsules (Pack 10). (This drink is rare in the English-speaking world.) Like the lungo, it is all brewed water, but is about twice as long as a lungo.Īs the amount of water is increased or decreased relative to a normal shot, the composition of the shot changes due to the fact that the flavour components of coffee dissolve at varying rates. In comparison, the caffè crema is a significantly longer drink, comparable in size to an Americano or long black. In the lungo, all the water is brewed, and the lungo is generally shorter than an Americano or a long black. ( August 2015) ( Learn how and when to remove this template message)Ī caffè lungo should not be mistaken for a caffè americano (an espresso with hot water added to it) or a long black (hot water with a short black added to it, which is the inverse order to an Americano and done to preserve the crema). Statements consisting only of original research should be removed. Please improve it by verifying the claims made and adding inline citations. With an intensity rating of eight, this capsule provides just enough coffee flavor when mixed with milk but won't overpower the sweeter elements that make for a great cappuccino, like cinnamon, brown sugar, etc. This section possibly contains original research. The software also lets you adjust the font, color, and image opacity, letting you make it as obvious or as unobtrusive as you like. , on the other hand, offers more flexibility in that it lets you drag a text or image watermark anywhere on the photo. And, you can’t choose the size of the watermarked image. Sadly, while leaving your photo untouched looks nice, someone can still easily cut your image out of the frame. Another online watermarking tool, PicMark (yes, it’s a very similar name), takes a cleaner approach by creating a frame around an image. This method is fast and easy, but it’s not necessarily pretty. As for online watermarking tools, offers a lot of options and flexibility. ![]() The third option, a tiled watermark, simply layers a text or image all over the picture. ![]() The issue with using PicMarkr to create an image watermark is that it doesn’t let you choose the opacity of the secondary image, so you can’t blend with the original photo. Whereas a text watermark is similar to the one previously outlined, an image watermark places another image (such as a logo) on top of the original (you need to resize it beforehand). Upload up to five photos, or pull them from Flickr or Facebook, then pick from three watermarking options (text, image, or tiled). Online watermark toolsĪnother easy way to watermark a photo is to use an online tool like PicMarkr. You can overlay some text over an image to create a watermark using Microsoft Paint, but it won’t be pretty. How to make a background transparent in Photoshop That suggests Microsoft has figured out it can turn a buck with this, so might as well make it official. Microsoft hasn't said why it decided to start supporting Windows-on-Arm VMs on Apple silicon, but Parallels' statement in support of the move offers a hint in the form of advice that Microsoft's enterprise licenses cover use of the OS in a VM. About Parallels Desktop for Mac with Apple M Series Chip To run virtual machines on a Mac with Apple M Series chip, Parallels engineers created a new virtualization engine that uses the Apple M Series chip hardware-assisted virtualization and allows to run Arm-based virtual machines. VMware's product line manager for desktop hypervisors, Michael Roy, also said his team plans to "leapfrog the competition" with Microsoft's help. Windows 10 for ARM-based machines like the M1 MacBook, MacBook Air, Mac mini, and newly launched iMac, can be downloaded via Microsoft’s website. Virtzilla had previously enabled running Windows 11 for Arm in the Fusion desktop hypervisor it offers for Macs and ported into a native version for Apple's silicon. Step 3: Download Windows 10 on ARM Insider Preview. VMware has also weighed in with news that it will "move full-speed ahead in offering world-class support for Windows on Mac computers with Apple silicon." Parallels: Purveyors of decent virtualization software. ![]() VMware refreshes desktop hypervisors, adds Apple Silicon support.We take Asahi Linux alpha for a spin on an M1 Mac Mini.Parallels increases prices with Desktop version 18.Parallels has welcomed the news and suggested it will be appreciated by folks like "a field engineer that prefers a Mac access a Windows-based application such as Matlab or VTScada." That warning hasn't curbed the enthusiasm of desktop hypervisor vendors. Even though Ridley gets the accolades and Tony gets the hack/overproduced label, I must say, while they are the best directing duo in Hollywood, I might have to give the edge on pure cinematic entertainment to the younger Tony. Déjà Vu's best sequence, however, is the crazy car chase during the present in pursuit of a vehicle in the past, definitely a rush and orchestrated almost flawlessly. The motion trails and speed scans lend a stylized digital editing program feel and are gorgeous to watch. While Scott has toned down the ultra-kinetic cuts and filters for the main action, his style is still stamped on the graphics of their screen showing the past. Also, the performances are stellar, Denzel and Kilmer as well as a quietly maniacal Jim Caviezel and the emotionally exasperated Paula Patton, and the visuals unique. Anything that is seen either in the past, present, or future has a reason for being there and will be intelligently explained. To credit all involved, they appear to have put themselves in the audience's shoes and piece-by-piece wrote in a reason for everything. The beauty of this film is that with multiple timelines being shown parallel to each other, there are many questions that desperately need answering. The quest to stop the violence begins with an attractive young woman who unknowingly has become an integral part in what will ultimately transpire. During the use of this screen of the past, Denzel acquires a feeling of obligation to do all he can to prevent what he sees from occurring in the present, no matter what consequences that might entail for the future. Intrigued by the efficiency he displays, an FBI agent, played with nicely effective restraint by Val Kilmer, calls him in to check out a new toy they have to find who the perpetrator is. Washington's ATF agent is brought in and discovers that it was no accident. Our story begins with a devastating domestic terrorist act upon a ferry carrying over 500 people, Navy and family. ![]() Scott and his screenwriters have not only developed a sci-fi tale seeped in enough reality to at least be looked upon as plausible for the sake of the story, but they nicely tidy up any chance of their being a plothole. Fortunately the trailers these days show a totally different movie than what has been crafted. The far-fetched premise of being able to see the past as it happens four and a half days later should seem crazy and by watching the previews you are given the idea that it will be just a series of do-overs. Déjà Vu could have easily reduced itself to timetravel farce, going by the books to show a time warp in order to solve a crime. Scott shows us how to hone the explosions, noise, and clutter to an effective level and gives us a helluva ride. With a reuniting of semi-regular star Denzel Washington, Déjà Vu proves that when Bruckheimer is paired with a like mind, his usual drivel can become great. Greatly overshadowed by brother Ridley Scott and his more serious, award-winning epics, Tony has been pumping out some of the most solid and entertaining films of the past couple decades. ![]() His editor better be making some good money as these films fly by with filters, jump-cuts, grain, and camera angles swiveling at every turn. Scott has taken the quick cuts of music videos and has infused them into his shooting style. ![]() The man who brought us Top Gun has seen a sort of revival in style lately with the entertaining Spy Game, the amazing Man on Fire, and the kinetic Domino. No mention, except maybe as a footnote, was given to A-list director Tony Scott and the magic he has woven in his past three films. ![]() It's a real shame that everything I had read about Déjà Vu concerned the high-powered explosions and loud clatter of guru/producer Jerry Bruckheimer. ![]()
Mothers, obliged to warm, protect, feed, and shelter their offspring, frequently needed to put them down in order to forage. The evidence suggests that music and dance are even older than speech. Other studies offer a much earlier date for the development of walking, as far as 7 to 9 million years ago, and there is also uncertainty about whether our ancestors may actually have been tree-dwellers. Evolution favoured a skeletal development of lower limbs and spine to upright stance. Individuals who failed to do so lost their offspring, and their tribe died out. Infants could no longer cling to the fur of their mothers now they had to be carried in both hands, which forced the species to adapt to walking erect. One theory suggests that some 6 million years ago, a gene mutation for hairlessness appeared in our Chimpanzee/Human Last Common Ancestor, and over generations they became, literally, naked. ![]() Scientists are still trying to find out why and when this happened. This intimate musical relationship raises the intensity of danced performance.Īs the great American choreographer George Balanchine pointed out, “Dance is music made visible”.ĭance has been part of us since our forebears began to stand on two legs. Musical dancers literally use the moving body to become part of their music, revealing its highlights and secret places. Dance exists symbiotically in and through the music, and the music flows in and through the dancer, directly affecting the audience. Musical dancers select components of music and make these crucial to every nuance of what they do, sharing their experience with the spectator. And yet - all the possibilities we have listed, and more that we haven’t, display one essential, unifying trait. Perhaps “musicality” cannot be precisely defined in words. With it you reach deep inside the soul of the audience, pull them along with you, make them want to dance. The interplay between what spectators hear and what they see can be powerful, disturbing, hypnotic – it’s an effective performance tool. ![]() You could dance slow, sustained, movement against a background of punchy, insistent, inescapable drums, to convey supernatural calm or mounting tension. Another type of musicality could be to work directly against the music. Does a vocal line give you something specific? Then you might want to interpret the song as dance, possibly dancing the lyrics, possibly doing the opposite. Your entire body: head, arms, legs, spine, even eyebrows, can move specifically and precisely with what you hear, expressing what you as an artist want to say. In fact, you literally “embody” the music you hear, dancing with every part of you to make the fusion of music and movement real and personal, for you and for the onlooker. There’s music of some sort all around you, and even inside you – (they say your heart, for example, beats in waltz time…)Īs a musically skilled performer, you respond selectively to all of these, using musicality to affect the perceptions and instincts of the audience. Is there a recurring Leitmotif, regular or irregular, for which you might dance a corresponding dynamic? Maybe you want to work just to snapping fingers, or live feedback from yourself and others, or even silence, within which your movement reveals latent rhythm – this too is music. In the orchestra, you could run with a kinetic impulse from the strings, or hook onto the brass, or hang with a single percussion instrument, or stay inside the bass pizzicato which underpins the whole piece. You might coordinate your movement within phrases of music, or follow the dynamic contours of a melody, syncopated perhaps, or smooth and legato, or broken into jagged, staccato accents. Using piano, you could dance to the melody in the right hand, or the rhythm in the left, or switch back and forth between the two. ![]() There are other parts of music besides the beat - you can hear them all if you really listen. ![]() Musicality is not just dancing on the beat (it’s not that simple, although rhythm of course is fundamental). The question is, what does “musicality” actually mean? Does it really exist, or is it just some subjective idea? What is it? How can we get it? If we haven’t got it naturally (and how do we know, anyway?) we’re going to have to learn it, somehow. As dance students, we’re required to have this musicality trick. Watching great dancers, you are supposed to be able to sense their musicality in every move. Musicality is one of those things teachers go on about, like placement, or not rolling your ankles. Dancers and dance students hear this word in class, over and over again. The best sources for USA pumice are in the western states, convenient to Mason-Lite’s California-based production facilities. Its lightweight attributes are second to none, and because of its pre-fired beginnings, pumice retains heat better than any natural aggregate available. One of the main ingredients is pumice, a natural-fired volcanic rock with tremendous strength. ![]() And, with a proven history of superior quality, lightweight fireplaces for indoor and outdoor projects, it’s no wonder Mason-Lite is one of the industry leaders of modular concrete fireplaces.Īt Mason-Lite, we use the finest aggregate materials available to build our lightweight modular concrete fireplaces. ![]() Recreating the tradition of the hearth and the elegance & romance of the flame, Mason-Lite captures the essence of the fireplace masonry artists have been crafting for centuries. A masonry fireplace adds luxury and increases the value of your home. ![]() Our factory-built masonry fireboxes are affordable, easy to handle, and consistent in quality. Have you ever dreamed of the radiant warmth of a masonry fireplace in your bedroom? Or, do you dream of an outdoor fireplace where you can gather together with friends and loved ones? Dreams can come true with Mason-Lite masonry fireplaces. PkgPath5="/tmp/Install Maya 2022.app/Contents/Helper/Packages/Licensing/" Pkgpath4a="/tmp/Install Maya 2022.app/Contents/Helper/Packages/Licensing/adlmframework18.pkg" PkgPath4="/tmp/Install Maya 2022.app/Contents/Helper/Packages/AdSSO/AdSSO-v2.pkg" PkgPath3="/tmp/Install Maya 2022.app/Contents/Helper/Packages/Licensing/adlmflexnetserverIPV6.pkg" PkgPath2="/tmp/Install Maya 2022.app/Contents/Helper/Packages/Maya/Maya_AdLMconf2022.pkg" PkgPath1="/tmp/Install Maya 2022.app/Contents/Helper/Packages/Maya/MayaUSD.pkg" #Modify values below as necessary (Usually: year and pKey) #Import install disk image with munkiimport This script also requires you to put Install Maya 2022.app in the /tmp/ folder. It has an option to input your server if you do have a network license. Hello! I just edited my old Maya 2020 script from here: īelow is the updated code for Maya 2022. For those that may want to poke holes, please recall that our deployment works. ![]() ![]() This, however, is the quickest path from point A to point B given the use case mentioned above. There are caveats to this method, if you are using a legacy network license, etc., etc. Save and Build as PKG.and tah-freaking-dah you have a working silent installer for Maya 2022.Sudo /private/tmp/Install\ Maya\ 2022.app/Contents/Helper/Setup.app/Contents/MacOS/Setup -q Add the following line into a postinstall script for your Source in Composer:.Within Composer, navigate to Install Maya 2022.app and modify the Owner and Group to "root" and "wheel" and "Apply Owner and Group to Install Maya 2022.app and Enclosed Items." (Please don't waste time posting comments regarding this step.Place the Install Maya 2022.app in the /tmp directory.Please note: The procedure below has been tested and confirmed to work successfully on supported macOS versions across, for the sake of propriety, enough systems at scale for enterprise level confidence. My team has already communicated this error to Autodesk. ) and typed -q rather than a single - before the q. Optix™ denoiser requires an NVidia GPU with CUDA™ Compute Capability 5.0 and above.Someone at Autodesk mistyped the command in their silent install kb (.See Getting Started with Arnold GPU for more information. We recommend using the 470.74 or higher drivers on Linux and 472.12 (Quadro), 472.12 (GeForce), or higher on Windows. GPU rendering works on Windows and Linux only and requires an NVIDIA GPU of the Ampere, Turing, Volta, Pascal, or Maxwell architecture.Apple Mac models with M series chip are supported under Rosetta 2 mode. CPUs need to support the SSE4.1 instruction set.Linux with at least glibc 2.17 and libstdc++ 4.8.5 (gcc 4.8.5).Windows 10 or later, with the Visual Studio 2019 redistributable.System Requirements and Technical Details Extensible through plug-ins (Golaem, FumeFX for Maya, Yeti, Shave & Haircut).Productivity boost: override sets, holdout mattes, shadow catcher, passes, UDIM style textures, and arbitrary primvar data.Defer the creation of geometry at render time with the Stand-in placeholder nodes.Particles and nParticles support, including particle instancer.Support for volume rendering with Maya Fluids. ![]() ![]()
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